二十世纪上半叶中国文学的现代性  

The Modernity of the Chinese Literature in the First Half of the 20th Century

作　　者：刘英利[1] 刘新锁[2] 

机构地区：[1]山东旅游职业学院,山东济南250000 [2]济南大学文学院,山东济南250022

出　　处：《重庆社会科学》2012年第7期75-79,共5页Chongqing Social Sciences

摘　　要："人的自由"这一现代性概念具有"人的整体解放"与"个体自由"双重内涵。新文化运动的先驱们将个人自由与自主权利作为人实现现代转型的基础。20世纪上半叶大批作家多将"人"的觉醒和个人解放作为文学创作的自觉追求。20世纪30年代末,在初步获得个体自由后,作家的文学创作中普遍流露出迷茫、孤独、苦闷情绪。＂Human freedom,＂ as a concept of modernity, has double connotations of ＂whole human emancipation＂ and ＂individual freedom＂. The pioneer of the new culture movement has taken the personal freedom and autonomy rights as the foundation for the modern transformation. Many writers took the awakening and liberation of individual as the conscious pursuit of literary creation in the first half of the 20th century. In the initial access to individual freedom, literature generally showed a puzzled, lonely, depressed mood in the late of 1930s.

关 键 词：20世纪中国文学 现代性 个体自由 

分 类 号：I0[文学—文学理论]