牟宗三论智的直觉之儒家义对美学研究的启发  

Inspiration of Mou Tsung-san's Theory of Confucian Intellectual Intuition on Aesthetics

作　　者：唐圣[1,2] 

机构地区：[1]湛江师范学院人文学院,广东湛江524048 [2]陕西师范大学文学院,西安710062

出　　处：《西北农林科技大学学报（社会科学版）》2012年第4期119-124,共6页Journal of Northwest A&F University(Social Science Edition)

基　　金：教育部人文社会科学研究西部和边疆地区项目:牟宗三美学的自由观念研究(10XJC720003)

摘　　要：智的直觉理论在牟宗三哲学美学思想里居于最根基的位置。牟宗三首先分疏了智的直觉在义理上的儒家形态何所,其次从理论上说明我们确有此一种直觉,以及此一种直觉在我们生活实践里是可以证显出来,表明依儒家智慧形态言我们确有智的直觉一问题是真实的、具体的。牟宗三所分判演绎者,在义理上对建构由中国智慧而来的哲学美学形态具有非凡的学理意义。The theory of intellectual intuition is the foundation of Mou Tsung-san＇s aesthetics. First, he describes the Confucian pattern of intellectual intuition, Secondly, in the theory, he confirms that human beings have such an intuition. These demonstrate that the Confucian pattern of intellectual intuition for constructing philosophical aesthetics from the Chinese wisdom has important theoretical significance in his aesthetics. Because people have intellectual intuition, it is true people become saints. In the aesthetic perspective, the state that saints have achieved is the most beautiful.

关 键 词：牟宗三 智的直觉 儒家 圣人化境 审美境界 实践-修证美学 

分 类 号：B83-061[哲学宗教—美学]