基督教与当代中国诗坛  

Christianity and Contemporary Chinese Poetry Circle

作　　者：荣光启[1] 

机构地区：[1]武汉大学文学院,武汉430072

出　　处：《哈尔滨工业大学学报（社会科学版）》2012年第4期78-83,共6页Journal of Harbin Institute of Technology(Social Sciences Edition)

基　　金：武汉大学自主科研项目(人文社会科学);中央高校基本科研业务费专项资金资助

摘　　要：20世纪90年代以来,中国出现了许多有基督徒身份或者倾向于基督信仰的诗人。对于他们的写作,诗坛往往以"宗教诗歌"或"次要诗歌"轻视之。这种轻视是国人对文学与宗教之关系的简单理解。随着当代中国文学日益世俗化,诗人们也一直在寻求种种"神性"的写作来应对。他们尊重文学的自身特性,正视生命的沉沦境况与救赎之需,敏于自我生命的问题、关注人的历史与命运。他们虽未高举"神性"大旗,在这个时代,却具备了真正的"神学立场"。他们的写作,尤其值得当代汉语诗坛关注。Since the 1990s, there have been many Christian poets or poets who tend to believe in Christ, but their poetry writing was despised as religious poetry or minor poetry by the contemporary Chinese poetry circle because of Chinese oversimplified understanding of the relationship between Literature and religion. With the secularization of contemporary Chinese literature, Chinese poets have been seeking for a variety of sa- cred writing. In different discourses on sacred writing, the voice of some Christian poets should be concerned and deserving of more attention.

关 键 词：基督徒诗人 当代中国诗坛 宗教诗歌 次要诗歌 神性写作 

分 类 号：I299[文学—中国文学]