赫尔岑思想和性格的多重性及其马赛克文体  

In Memory of the Two Hundredth Anniversary of the Birth of Herzen Herzen's Thinking,Personality and Mosaic Style

作　　者：杨明天[1] 

机构地区：[1]上海外国语大学俄语系

出　　处：《俄罗斯学刊》2012年第4期53-63,共11页Academic Journal of Russian Studies

摘　　要：赫尔岑的思想和性格具有多重性,其表达手段同样具有多重性,所形成的特殊文体,我们借用赫尔岑自己的说法,称之为马赛克文体。在赫尔岑的作品中,摘引成为一种主要表达手段。他的思想和性格的多重性与其使用的表达手段具有内在联系。摘引的大量存在,使我们可以认为,赫尔岑具有新神话主义意识。他本人的性格和创作特点,与20世纪的文化特点具有一定的联系。赫尔岑的体裁并不统一和连贯。其"意识流"鲜明体现在体裁上,20世纪的意识流鲜明体现在句子层面上。赫尔岑的创作具有我们现在所说的超现实主义的一些特点。他借助马赛克文体,一直试图创建自己的"现实主义"的"现实"。阅读赫尔岑的著作,可以使我们看到20世纪散文原则形成的一些脉络。Herzen＇s thinking and personality were of multiplicity and his way of expression was also of multiplicity. His peculiar literary form, for which we borrow his own statement, was called mosaic style. In his works, quotations became a principal expression method. His multiple thinking and personality had an inner link with his way of expression. A lot of quotations in his works made us believe that he had a sense of neo-mysticism. His personality and creation characteristics had a certain connection with the cultural features of the 20th century. His types of literature were not uniform and coherent. His ＂conscious stream＂ was clearly incarnated in his types of literature; the conscious stream of the 20~ century was reflected at a sentence level. His literary creation was of some features of surrealism as we say today. He drew support from mosaic style and tried hard to create the reality of his own ＂realism＂. Reading his works can make us notice some skeletons of the prose principle formed in the 20th century.

关 键 词：赫尔岑 思想 性格 多重性 马赛克文体 

分 类 号：G222.2[文化科学]