篆籀·义理——朱长文所论颜真卿书法“合篆籀之义理”探究  

Study on Zhu Chang-wen's Research on Yan Zhen-qing's Calligraphy

作　　者：刘文秋[1] 

机构地区：[1]江苏师范大学美术学院,江苏徐州221116

出　　处：《徐州师范大学学报（哲学社会科学版）》2012年第4期77-80,共4页Journal of Xuzhou Normal University(Philosophy and Social Sciences Edition)

摘　　要：颜真卿书法的"篆籀气"源自其深厚的语言文字学基础,其书法的用笔与篆书相通,由此所表现出的圆劲婉通、虚和中含之美与篆籀书体特点相合。颜体书法符合造字规则,尽合字学,能够起到正字正体的规范作用,合乎文字之义理。颜书由技入道,技道两进,堪称"尽善尽美"。这便是朱长文所论颜真卿书"合篆籀之义理"的真正内涵。The calligraphy of Yan Zhenqin came from his deep language foundation, and his writing has the same calligraphy skill with zhuan writing. Yah calligraphy is in consistence with philology and has the role of norms and the righteousness of characters. In Yan calligraphy, skill developed into Tao, and then skill and Tao developed together, coming to the state of perfection. This is the implication of Zhu Changwen~ research on Yah Zhenqingg calligraphy.

关 键 词：颜真卿 朱长文 书法 篆籀 义理 

分 类 号：J292.11[艺术—美术]