生命的融合——论《周易》之“化”的审美价值  

The Integration of Life and the Aesthetic Value of Hua in Book of Changes

作　　者：孙喜艳[1] 

机构地区：[1]湛江师范学院音乐学院,广东湛江524048

出　　处：《湛江师范学院学报》2012年第4期29-31,共3页Journal of Zhanjiang Normal College

基　　金：2012年度教育部人文社会科学研究规划青年基金项目(12YJC751072);广东省2010年度教育科学"十一五"规划项目(2010tjk427);湛江师范学院校级科研项目(ZW1010)

摘　　要："化"是《周易》的一个重要的美学范畴。"化"在《周易》中是阴阳相感的结果;同时,"化"也是"变"的一种形式。"化"上达宇宙自然,下通社会人伦,又影响到审美与艺术。在自然层面,"化"是生命生成之道。在社会与精神领域,"化"为审美教育提供了一种方法和途径。在艺术创造层面,"化"体现了阴与阳、主与客、物与我、情与景的融合无迹。Hua is an important aesthetic category in the Book of Changes.It is the results of sympathetic Yin and Yang in the Book of Changes.At the same time,Hua is also a form of Bian（change or turning）.Hua can be up to the universe and down to the social ethics,and also affects the aesthetic and artistic.Hua is the road of life how to be generated in the natural level.In the field of social and spiritual,Hua provides a method and means for aesthetic education.In the level of artistic creation,Hua embodies the blend of Yin and Yang,Subject and object,material and ego,emotions and scenes without a trace.

关 键 词：《周易》 化 审美价值 

分 类 号：I01[文学—文学理论]