中国马克思主义美学传统的形成及其意义——读周维山的《美学传统的形成与突破》  

The Forming of the Chinese Marxism Aethetic Tradition and Meaning——Reading Zhou Weishan's The Forming of Aesthetic Tradition and Breakout

作　　者：泓峻[1] 

机构地区：[1]山东大学威海分校新闻传播学院,山东威海264209

出　　处：《吉林师范大学学报（人文社会科学版）》2012年第4期32-34,共3页Journal Of Jilin Normal University:Humanities & Social Science Edition

摘　　要：《美学传统的形成与突破》一书的主要价值,在于它阐明了《1844年经济学哲学手稿》(以下简称《手稿》)与中国当代马克思主义美学传统建构之间复杂而又密切的关联。中国当代美学与《手稿》的关系还表现在:一方面,《手稿》以其丰富的内涵为中国当代美学提供了巨大启示;另一方面,中国的理论家们也以其特有的理论视界,丰富、发展了《手稿》的理论内涵。上世纪50年代以来中国美学界的几次论争,是在每个学者都能比较自由地表达自己学术观点的氛围中展开的,这构成中国当代美学理论不断深入发展的一个重要前提。The value of The Forming of Aesthetic Tradition and Breakout is that it explains clearly the complex connection between Economic ＆ Philosophical Manuscripts of 1844 and the building of the Chinese Marxism Aethetie tradition. On the one hand, the Manuscripts with its rich connotation provides a great revelation for Chinese contemporary aesthetics; on the other hand, Chinese theorists develop the Manuscript academic con- notation with their unique theoretical horizon. It constitutes an important prerequisite for the deepening of Chi- nese contemporary aesthetic theory that every scholar can freely express their views since 50＇s in 20th century in Chinese aesthetics several arguments.

关 键 词：中国当代美学 《手稿》 实践论美学 学术传统 

分 类 号：I01[文学—文学理论]