论20世纪三四十年代中国现代文学的“革命转向”  

The Malposition of Collectivism:On the Revolutionary Turning of Modern Chinese Literary in the 1930s to 1940s

作　　者：王书博[1] 

机构地区：[1]西南大学,重庆400715

出　　处：《忻州师范学院学报》2012年第3期15-17,21,共4页Journal of Xinzhou Teachers University

摘　　要：在20世纪三四十年代,中国现代文学结束了从"五四"时期所开启的短暂的启蒙时代而急速步入了空前激烈的革命话语时期。这一影响致远的文学"聚变",不但改变了中国现代文学的发展脉络,而且改变了之后数代文人的精神与价值取向。可以说,中国文学的"革命转向"既是基于战争与革命现实的被迫之举,同时亦是当时大多数富有历史责任与重担的中国作家其集体主义精神的"错位"所导致的必然结果。In the 1930s to 1940s,modern Chinese literary is end of the times of short enlightenment and rapidly turns to the unprecedented fanatical age of revolutionary voice.The Big change of literary has profound and lasting influence.It changes the track of the development of modern Chinese literary,and changes the later literati＇s spirit and values.If anything,the swerve of Chinese literary is the passive choose because of the war and revolution,and in the same time,it is also the inevitable consequence of most Chinese writers＇ confusion in collectivism.

关 键 词：集体主义精神 错位 现代文学 革命转向 

分 类 号：I207.25[文学—中国文学]