《神仙传》中的女仙研究  

An Analysis of the Female Fairies in Shenxian Zhuan

作　　者：沈婷玉[1] 陈洪[1] 

机构地区：[1]江苏师范大学文学院,江苏徐州221116

出　　处：《南阳师范学院学报》2012年第8期69-71,82,共4页Journal of Nanyang Normal University

基　　金：江苏高校哲学社会科学重点研究基地重大项目(2010JDXM043)

摘　　要：葛洪《神仙传》共记载九位女仙,较《列仙传》而言,她们开始独立于男仙,自成神仙系统,且大多来自民间具体可感的真实人物,民间色彩增强;结合当时社会背景来看,葛洪对她们的塑造明显体现出了当时女性社会地位的提升;她们的故事被后世古籍竞相收录、改编,并在演变过程中形成一定的影响。There were nine fairies recorded in Ge Hong＇ s Shenxian Zhuan, or known as Biographies of Divine lm- mortals. Compared with those in Liexian Zhuan or known as Collected Biographies of Immortals, the fairies depicted in Shenxian Zhuan began to be independent of their male counterparts and established the immortal system of their own. Besides, most female fairies were derived from their archetypes in folk life that were concrete, tangible and authentic beings. Taking account of the social backgrounds at the time, it could be seen through Ge Hong＇ s depic- tion of female fairies that the social status of women at that time had undergone improvement in general. Later on, these stories were further reorganized or adapted into various ancient books by later generations, exerting certain im- pact on ancient societies during the evolution of these stories.

关 键 词：《神仙传》 女仙 形象 故事演变 

分 类 号：I206.2[文学—中国文学]