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作 者:蔡铁鹰[1]
出 处:《晋阳学刊》2012年第5期122-127,共6页Academic Journal of Jinyang
基 金:教育部人文社科一般项目<吴承恩年谱编订及诗文集整理>(11YJA751001)的阶段性成果
摘 要:吴承恩词创作的成就与词学贡献少见关注且往往被扭曲,应该重新讨论。吴承恩词作虽散失太多仍有近百阕保存在《射阳先生存稿》中,风格多样,不乏佳作。他编选的词集《花草新编》领风气之先,分调选词约800阕,规模独步空前;可以确认明后期以来影响甚大的词选集《花草粹编》最初受启发于吴承恩,并且沿袭了吴氏编选词集的设想、体例和已经选好的约800阕作品,甚至占有了吴氏的序言。分调选词的《花草新编》可能完成于嘉靖十九年之前,这涉及明词史上的又一个重大问题,即究竟谁是分调选词的首倡者,究竟是谁首先使用了小令、中调、长调的概念?很可能是久被埋没的吴承恩。It is less attention to the contribution made by WU Cheng-en in Ci creation and education. But WU Cheng-en' s contribution should be re-disussed. WU Cheng-en' s Ci were lost too much but there were nearly 100 Ci in the book of SHE-Yang' s drafts of remain.~. The style ranged wide and there are many masterpieces. The Newly-Edited Flowers and grasses edited by WU Cheng-en was unprecedented. The book edited 800 Ci that were classified by tones. The book of painstakingly-Edited Flowers and grasses, a book of great influence in the later Ming Dynasty, was enlightened by WU Cheng-en and followed WU Cheng-en's conceive, style and 800 Ci. It even occupied WU Cheng-en' s preface. The Newly-Edited Flowers and grasses was finished before the 19 year of Jiajing. It involved a very important question in the history of the Ci of Ming dynasty. Who classified Ci by tones firstly? It was WU Cheng-en probably.
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