艺术史中的“异形”  

Dysmorphism in art history

作　　者：高蕾[1] 

机构地区：[1]西安美术学院工艺系,陕西西安710065

出　　处：《西安工程大学学报》2012年第5期610-614,共5页Journal of Xi’an Polytechnic University

摘　　要：提出了美学形态中"异形"的概念.分析了在原始艺术、中国艺术、西方古典艺术、西方现代艺术、后现代艺术等不同历史时期或不同地域"异形"的形态和产生的原因.认为"异形"不能笼统地概括为"变形",而是"常态形"形态发生质变后的一种新的造型形态,呈现出一种怪诞和奇异的美学特点.在艺术史中,"异形"这种乖张的造型部分受到主流意识形态的压抑,因而,呈现为一种非主流的状态,但却显示了一种鲜活的创造性.它跨越千年,始终在暗示人类想要超越理性与现实的冲动、想象和浪漫.The concept of the ＂dysmorphism＂ is presented. Based on art history, the characters of dys- morphism and the cause of them in different periods such as original art, Chinese art, western classical art,western modern art and post modern art, etc are analyzed It is pointed out that the＂dysmorphism＂ can not be generally summarized as ＂deformation＂,dysmorphism is a new type when normality changes, appearing an absurd and curous way of aesthetics. In art history,part of the dysmorphism had been kept down by the main stream, showing a kind of non-mainstream state. However, dysmorphism displays vivid creativity, suggesting people＇s impulsion,imagination, romanticism to overstep rationality and reality.

关 键 词：异形 原始艺术 中国艺术 西方古典艺术 西方现代艺术 后现代艺术 

分 类 号：J110.9[艺术—艺术理论]