维纳斯在中国文艺中的多重映像——兼议叶舒宪先生的《高唐神女与维纳斯》  

Multiple Images of Venus in Chinese Literature and Art——Also On Ye Shuxian's Goddess of Gaotang and Venus

作　　者：吴昊[1] 

机构地区：[1]华东师范大学对外汉语学院,上海200062

出　　处：《文化艺术研究》2012年第3期28-34,共7页Studies in Culture and Art

摘　　要：关乎中西文化中的爱与美主题,我们就不能不提到叶舒宪先生的著作《高唐神女与维纳斯》。书中认为,中国文化中一直存在着被主流儒家遮蔽了的"维纳斯",她就是宋玉《高唐赋》中的高唐神女及其衍生出的女性文学形象。尽管如此,本论仍对高唐神女的"爱神""美神"特征表示质疑。笔者认为维纳斯在中国文化中的同类表现形式不止一种,中国文艺中存在着多重映像的维纳斯。再者维纳斯象征着永恒的爱与美,必定在不同的时代和文化中得到丰富的赋值、定型、描塑和创造。因此与其挖掘维纳斯的"中国版",不如立足本土推陈出新。本论拟从社会性别、女性自觉意识等性别角度去寻找、分析散落在古代中国的维纳斯。When talking about the issue of love and beauty in the Oriental and Western culture, we have to mention Ye Shuxian＇ s Goddess of Gaotang and Venus. In this book, Ye argues that there exists a ＂Venus＂ covered by the mainstream Confucians in the Chinese culture, which is the Goddess of Gaotang in Song Yu＇s Gao Tang Fu and the female image in the later literature. However, this paper calls the character of Goddess as ＂goddess of love＂ and ＂goddess of beauty＂ in question. The author believes that there is more than one expression form of Venus in the Chinese culture, and there exist multiple images of Venus in Chinese literature and art. Moreover, the eternal love and beauty that Venus symbolizes is un- doubtedly enriched, finalized, depicted and created in different ages and culture. Therefore, rather than excavating the Chinese version of Venus, why not make creative efforts based on local conditions？ This paper intends to finds out and analyzes Venus scattering in the ancient China from perspectives of social gender and female awareness.

关 键 词：高唐神女 女性意识 社会性别 

分 类 号：I01[文学—文学理论]