石涛对笔墨的独特理解  

Shi Tao 's Unique Understanding of Bimo

作　　者：赵涵[1] 刘昭然[1] 李文晓[1] 

机构地区：[1]邢台职业技术学院艺术与传媒系,河北邢台054035

出　　处：《邢台职业技术学院学报》2012年第4期96-98,共3页Journal of Xingtai Polytechnic College

摘　　要：中国画从工笔到没骨,从没骨到水墨,一再删繁就简,而笔墨的运用和立意就越发的重要。明末清初的画僧石涛,在绘画和画理上对中国的近代美术史有独特贡献。都说石涛笔墨技法独创,在石涛的《画语录》中可以看到他对于笔墨技法的论述,里面提出了新的概念理解。Chinese painting from the realistic to mogu and then to shuimo, becomes more simple, the bimo application and significance is more important. Shi Tao in painting and painting theory on Chinese modern art history has a unique contribution. People all say that Shi Tao skill is original, in Shi Tao＇s 〈painting quotations〉 can see his statement of painting skills. It puts forward a new concept understanding.

关 键 词：笔墨 文人画 石涛 蒙养 生活 

分 类 号：J205[艺术—美术]