哈格尔的镜子——《所罗门之歌》的怪诞美学叙事艺术  

Hagar's Mirror:The Narrative of Grotesque in Song of Solomon

作　　者：孟宪印[1] 

机构地区：[1]滨州学院外语系,山东滨州256600

出　　处：《宜宾学院学报》2012年第9期49-52,65,共5页Journal of Yibin University

摘　　要：托尼.莫里森在《所罗门之歌》中为塑造怪诞型人物运用了陌生化技巧和夸张修辞操作手段,成功地创造怪诞审美范畴的审美价值———惊奇感。小说中审美范畴怪诞的恐惧性和再生性融为一体,从而形成了怪诞的肯定性和否定性之间的辩证张力。In Song of Solomon,Toni Morrison is to create efficient aesthetic effects of Grotesque;the narrative techniques such as defamiliarization and hyperbole have been employed by Morrison,and Morrison has successfully established the dialectic tension between the affirmative sides and deconstructive sides in Grotesque to be deconstructive is for the future renewal

关 键 词：《所罗门之歌》 怪诞 陌生化 惊奇感 张力 

分 类 号：I712.074[文学—其他各国文学]