哈罗德·布鲁姆影响诗学视域下的诗史重构  

On the Reconstruction of Poetic History in the Perspective of Harold Bloom’s Influence Poetics

作　　者：杨龙[1] 

机构地区：[1]华东交通大学人文社会科学学院,江西南昌330013

出　　处：《华东交通大学学报》2012年第5期83-87,93,共6页Journal of East China Jiaotong University

基　　金：江西省社科规划项目(08WX10)

摘　　要：当代美国学者哈罗德·布鲁姆的影响诗学着眼于诗歌的审美创造活动,通过"影响的焦虑"命题下对事实性与修正的辩证分析,实际着重阐发了一种"反影响"诗学,并最终以审美僭越历史,对影响的诗史做互文性阐释和重构。布鲁姆影响诗学视域下的诗史重构,陷入了审美与历史的深刻矛盾,同时又以其审美主义偏执激化了这一矛盾,难以达到文学史的整体性再现。对此,回归文学史的历史性和语境化,当足以药石之。Harold Bloom＇ s influence poetics focuses on the aesthetic activities of creating poetry, and actually elucidates the poetics of ＂anti-influence＂ by dialectical analysis of factacity and revision trader the proposition of ＂anxiety of influence＂, thus ultimately making an intertextual interpretation and reconstruction of the influen-tial poetic history with aesthetic transgressing over history. When reconstructing the poetic history in the per- spective of Bloom＇ s influence poetics, we find the contradictions between aesthetics and history and the contra-diction is intensified because of his extremity on aestheticism, which causes it difficult to comprehensively rep-resent the literary history. Such a problem about constructing literary history may be solved by returning to the historical characteristics and contextualization of literary history.

关 键 词：影响诗学 文学史 历史 审美 语境 

分 类 号：I0-02[文学—文学理论]