从后现代重返现代——第十三届卡塞尔文献展艺术创作理念研究  

Return from Post-Modernity to Modernity:A Study on the Conception of the Artistic Creation of the 13th Kassel Documenta

作　　者：黄凤祝[1] 

机构地区：[1]同济大学人文学院/欧洲文化研究院,上海200092

出　　处：《艺术探索》2012年第5期49-53,5,共5页Arts Exploration

基　　金：上海市重点学科建设项目"外国哲学"(B001)

摘　　要：五年一度的卡塞尔文献展是全球最大规模的艺术盛事,也是探讨当代艺术发展趋势的论坛。第十三届卡塞尔文献展提出:用理性创新是艺术对艺术家的要。整个展览始终没有摆脱西方现代性的规范。重新界定人与物的关系,是本届文献展的主线。策展人试图打破传统艺术的界限,同时强调在多元的创作形式下,追求统一的艺术理念。这使展览从后现代思想和感觉的多元性,回返元叙事的现代性。The five-yearly Kassel Documenta is not only one of the world's largest arts events,but also the forum to explore the trends of contemporary art.The 13th Kassel Documenta proposes: the rational innovating is the requirement which art asks for artists.Throughout the whole exhibition,it never escapes from the norms of Western modernity.The redefining of the relationship between humans and objects is the main theme of the exhibition.The curators try to break the boundaries of traditional art,while emphasizing the pursuit of a unified artistic concept with diverse creative forms.This enables the exhibition return to the modernity of the meta-narrative from the diversity of the post-modern thinking and feeling.

关 键 词：卡塞尔文献展 现代性 后现代 无待 艺术的异 化 形式内涵 

分 类 号：J151.6[艺术—艺术理论]