西方传统绘画的具象性再现空间  

The Concrete Reproduction Space of Traditional Western Painting

作　　者：王帆[1] 高宗泽[2] 

机构地区：[1]东北师范大学美术学院,吉林长春130024 [2]东北师范大学艺术研究院,吉林长春130024

出　　处：《东北师大学报（哲学社会科学版）》2012年第6期166-169,共4页Journal of Northeast Normal University(Philosophy and Social Science Edition)

基　　金：吉林省教育厅人文社会科学"十五"规划项目(2009[661])

摘　　要：绘画的艺术价值观念决定了绘画空间表现。西方传统绘画在客观再现的价值观念下以具象手段追求三维空间幻象。本文从绘画的空间表现形式出发,探讨西方传统绘画的具象性再现空间表现方式,并归纳了其"静止空间"和"焦点透视"两个基本特征,并据此特征确定了西方传统绘画的历史断代、演进过程及其形成的思想渊源。The outlook on artistic value in painting decides the reproduction space.Influenced by the value outlook on objective reproduction traditional western painting pursues three-dimensional space phantom.Starting from the reproduction＇s space form in painting the thesis discusses the concrete reproduction space form in traditional western painting,summarizes the two basic features of its ＂static space＂ and ＂focus lens＂,and on this basis,finds out the historical division and evolution process of traditional western painting,and the sources of thought.

关 键 词：西方 传统绘画 空间表现 再现 具象 

分 类 号：J20[艺术—美术]