从浪漫主义到审美主义:现代审美思想的本体论转向  

From Romanticism to Aestheticism: Ontological Turn in Modern Aestheticism

作　　者：顾梅珑 肖向东 

机构地区：[1]江南大学,无锡214122

出　　处：《云南大学学报（社会科学版）》2012年第6期90-95,110,共6页The Journal of Yunnan University:Social Sciences Edition

基　　金：国家哲学社会科学基金项目"当代中国文学思想主流与‘人学’思潮之演进研究"(项目号:09BZW060);中央高校基本科研业务费专项资金资助项目(项目号:JUSRP11029)的阶段性研究成果

摘　　要：作为现代文学主流思潮之一,浪漫主义以其复杂矛盾的面目引发了学术界的种种思考,以至于界定它都成为了一个难题。浪漫主义的出现不是历史的偶然,它实则是现代化进程的一个重要组成部分,和现代审美主义思潮有着密切的联系。本文以此为契机,详细分析了浪漫主义中的"返魅"、"诗化"、"激情"等诸多现象,确立了浪漫主体的决定性地位,论证了浪漫主义和审美现代性的亲缘性关系。从浪漫主义到审美主义,显示了审美"人学"思想的演进趋向与本体论转折。Romanticism as one major trend of modernist literature is complicated,whose nature and even definition have been a puzzlement to the relevant scholars.The revival of Romanticism is not a historical coincidence but a key part in the process of modernization and is closely related to modern aestheticism.This paper gives an incisive analysis of some key elements in Romanticism such as 'reenchantment','poetics'and'emotion',confirms the dominant position of Romantic subject,expounds the kinship between Romanticism and aesthetic modernity and its humanistic evolution as well as its ontological turn.

关 键 词：浪漫主义 审美主义 现代性 本体论 

分 类 号：I054[文学—文学理论]