试论消费时代设计艺术的低碳化转向  

On Low Carbonization in Design in the Consumption Era

作　　者：袁志准[1] 

机构地区：[1]湖南城市学院,湖南益阳41300

出　　处：《设计艺术研究》2012年第6期4-8,15,共6页Design Research

基　　金：湖南省社科成果评审委员会基金项目(1011059B)

摘　　要：消费时代,设计艺术凸显出多重价值但又陷入自我悖论之中。作为经济方式,它只能存身市场,却难免为高碳经济所绑架,自身也趋向高碳化;作为文化形态,它必须化物为文,却无形中诱捕了人的消费欲望,催生了诸多社会顽疾,其固有的人文与生态价值常被遮蔽。要破解这一难题,设计艺术只能走向低碳化。通过梳理与对比发现,低碳化设计艺术应该是"生生"设计哲学、"创和"设计文化与"尚简"设计科学的统一体。In the present consumption era,design art shows multiple value as well as paradoxes.Attached to economy,it is inseparable from the market and tends to be high carbon.As a form of culture,it drives people＇s consumption desire and may lead to certain social problems.To solve this problem,it is necessary for design art to turn to low carbon.The paper proposes that the low carbon design art should be a unity ＂living＂ design,＂harmonious＂ design and the ＂simple＂ design.

关 键 词：消费时代 设计艺术 悖论 低碳化 

分 类 号：J022[艺术—艺术理论]