关于中国昆剧史研究中“范式”问题的反思——以我国30年来的明代昆剧史研究为例  

Reflection of the "Paradigm" Issue in Researching the History of Qunju in China

作　　者：胡建[1,2] 吴凡[1] 

机构地区：[1]华中师范大学音乐学院 [2]华中师范大学历史文化学院

出　　处：《黄钟（武汉音乐学院学报）》2013年第1期91-100,共10页Huangzhong:Journal of Wuhan Conservatory of Music

摘　　要：自20世纪初王国维的《宋元戏曲史》问世,中国戏剧史开始得到学术界的关注,作为对现存最古老剧种的研究,昆剧史无疑是中国戏剧史中的一个重要分支。文章对1980—2012年间我国明代昆剧史学术成果中的主要观点作了简要回顾,重点放在了昆剧史研究中范式问题的反思上,旨在深入探讨中国昆剧史研究中的史料运用、视角选择、历史解释、范式突破等问题。The history of Chinese drama has got the attention of academic circles since Wang Guowei published the History of Chinese Local Opera in Dynasties of Song and Yuan in early 20th century. As research on the oldest surviving Chinese operas, the history of Chinese Kunqu opera is undoubtedly an important branch of the history of Chinese operas. This paper briefly reviewed the main viewpoints of academic results from the researching on the history of Kunqu in Ming dynasty during 1980-2012, focusing on the reflection on issues of researching paradigm of Kunqu history, aiming to further explored the studying of the Kunqu history with his- torical materials using, viewing angle selection, historical interpretation, breaking through paradigm and other issues as well.

关 键 词：昆剧史 研究现状 范式 新史学 反思 

分 类 号：J607[艺术—音乐]