对话性阐释:政治与艺术之间——伊格尔顿马克思主义文艺批评观的符号学阐释  

An Interpretation of the Dialogue between Politics and Art——A Semiotic Interpretation of Terry Eagleton’s Marxist Literary Criticism

作　　者：赵光慧[1,2] 张杰[1] 

机构地区：[1]南京师范大学外国语学院 [2]中国药科大学外语系

出　　处：《俄罗斯文艺》2012年第4期112-117,共6页Russian Literature & Arts

基　　金：教育部人文社会科学研究青年基金项目"特里.伊格尔顿后期批评理论研究"(项目批号:12YJC752046);中央高校基本科研业务费专项基金资助(项目批准号:JKQ2011052);江苏省博士后科研资助计划(资助编号:1101102C)的阶段性成果;"江苏高校优势学科建设工程资助项目"(优势学科代码20110101)的科研成果

摘　　要：在苏联解体、东欧剧变之后,不少学者感叹马克思主义过时了,马克思主义文艺批评在很大程度上也遭到了冷遇。然而,当代著名的西方文学理论批评家特里·伊格尔顿则于2011年在耶鲁大学出版社出版了新作《马克思为什么是正确的》,表明马克思主义在今天的各个领域依然具有实际的指导意义,尤其是在文艺批评方面。本论文运用俄罗斯著名符号学家巴赫金的"对话"理论,对此加以阐释,并进一步表明,作品的政治性与艺术性并非是相互矛盾的,而是相互融合、甚至相互促进的。Marxism has been considered by many to be outdated since the collapse of the Soviet Union and hamster revulsion, which caused a cold reception of Marxist literary criticism. However, the renowned western literary critic, Terry Eagleton＇ s new publication of Why Marx Was Right by Yale University Press in 2011 argues for a positive role Marxism plays in various fields nowadays, especially in literary criticism. This paper furnishes a review of the book based on the famous Russian semiotician Mikhail Bakhtin＇ s dialogism, and further elaborates upon the mutual inclusiveness and integration instead of contradiction between political and artistic qualities.

关 键 词：伊格尔顿 马克思主义 巴赫金 对话 

分 类 号：I06[文学—文学理论]