“活”源于怦然心动——写生对客体借用中的情感因素  

Live from Excitement——Affective Factors from Nature in the Paintings

作　　者：赵雪[1,2] 何问俊[3] 田增光[2] 

机构地区：[1]天津大学建筑学院,天津300072 [2]大理学院艺术学院,大理671003 [3]湛江师范学院美术学院,湛江524048

出　　处：《天津大学学报（社会科学版）》2013年第1期82-86,共5页Journal of Tianjin University：Social Sciences

摘　　要：写生这一传统话题衍生出来的新课题令人关注。它在创作实践中如何更大地实现其价值成为当下探讨的焦点。在实践中要打破写生和创作的严格界限和绝对独立性,把创作的理念注入到写生中来,发挥写生的优势,充分调动画者的情感因素及主动性,在"怦然心动"的写生情境中借助对客观物象的借用关系,让笔"活"起来。这样的画面不得不感人,因为它有情在;这样的笔墨不能不鲜活,因为它有意存。Sketches from nature seem commonplace. But the new topic is derived from this traditional topic is of special concern. It is the basis of creative practice and its greater value has become the focus for explore. In my poinion, in order to improve the picture feelings and the integration with nature through this practice, break the absolute independence of sketching and creation, and improve the advantages of the sketch by injected creating idea into practicing, this is although good way to combine the emotional factors and motivation of its drawer. In the positive atmosphere, people will be touched by the mastemiece.

关 键 词：写生 情思 灵动 创作 

分 类 号：J202[艺术—美术]