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作 者:王天慧[1]
机构地区:[1]大连海事大学外国语学院,辽宁大连116026
出 处:《东北师大学报(哲学社会科学版)》2013年第1期117-120,共4页Journal of Northeast Normal University(Philosophy and Social Science Edition)
基 金:辽宁省哲学社会科学规划基金项目(L12DWW007)
摘 要:大震灾后整个东京全面重建,横光利一把目光焦点集中在了象征着近代都市的建筑上,并以此为题材对经济主义的"功利"进行了描写与讽刺。创作于1927年7月的《朦胧的风》和1927年9月的《七楼的运动》两个短篇中,关注了公寓、肺结核与商场、女性劳动等关东大地震以后的热门社会话题,是横光的近现代文明批判的萌芽,同时也是横光文学题材从农村转向都市的标志。After the severe earthquake Tokyo was to be reconstructed,Yokomitsu focused on the buildings symbolizing modern cities and based on them his works depict and criticize the economic utility.In the two short stories Vague Wind finished in July,1927 and The Campaign of the Seventh Floor written in September the same year pay attention to such hot social topics as apartments,TB,departments,and female workers after Kanto Earthquake,which is the germination of Yokomitsu's criticism on modern civilization and at the same time marks his transition from the country to cities in subject.
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