意象映射与中国经典诗词意境现实化的认知机制研究  

Image Mappings and Realization of Artistic Conceptions in Classic Chinese Poetry

作　　者：邹智勇[1] 张武德[2] 

机构地区：[1]武汉理工大学外国语学院,湖北武汉430070 [2]华中科技大学外国语学院,湖北武汉430073

出　　处：《重庆大学学报（社会科学版）》2013年第1期155-161,共7页Journal of Chongqing University(Social Science Edition)

基　　金：教育部人文社会科学研究规划基金项目"中国经典诗词意境认知诗学研究"(10YJA740138)

摘　　要：Fauconnier所提出的心理空间映射理论源自于数学,是关于语义对应和匹配关系的理论。随着认知诗学的兴起和发展,心理空间映射理论成了其中的一个重要组成部分,被应用于文学文本的研究之中。在中国经典诗词中,心理空间映射是意境现实化的重要认知机制和手段,其表现形式主要有三种:投射映射、语用函数映射和图式映射。投射映射是把一个认知域的部分结构投射到另一个认知域上,映射的基础是两域的认知相似性。语用函数映射是同一个认知域内两个不同的事物之间的映射,映射的理据是两个事物的认知相关性。图式映射则是认知图式的自上而下的映射,是抽象图式的空档与具体情境中的值之间的一一对应式的映射,映射的根据是空档和值之间的认知相配性。Fauconnier＇ s mapping theory originated from mathematics, which is a theory on semantic corresponding and matching relations. It has become an integrated part of cognitive poetics since it appeared and been mainly used in the study of literary texts. In classic Chinese poetry, mappings in mental space are the important cognitive mechanism and approach to realize the artistic conceptions. There are three types of mappings, namely the projection mappings, the pragmatic function mappings and schematic mappings. The first type of mappings pro- jects part of the structure of one cognitive domain onto another. It＇ s basis is the cognitive similarities between the two domains. The second type of mappings involves only one cognitive domain in which one thing is matched with another in the same domain according to their cognitive relevance. The third type operates when the concrete values in a situation in context are matched with the slots in a schema based on one-to-one model.

关 键 词：心理空间 投射映射 语用函数映射 图式映射 意境 现实化 

分 类 号：I0-05[文学—文学理论]