三教融合对大足石刻石窟造像的影响  

The Influence of Three Regions’ Fusion to the Grotto of Dazu Stone Carving

作　　者：刘健[1] 刘晓[1] 

机构地区：[1]西北师范大学美术学院

出　　处：《雕塑》2013年第1期52-54,共3页Sculpture

摘　　要：在漫长的历史旅程中,以宋代造像为主体的大足石刻处在了一个特殊的时空位置,承载了一个变迁时代独特的精神内涵。大足石刻造像是中国融汇儒、释、道三教而自成一体的大型石窟群,也是世界石窟艺术之林中一座让人惊异的丰碑。中国传统文化三大主流儒、释、道在宋代走向融合,这个融合始终贯穿于大足石刻开创的整个历史过程,并以具像的形式做出了生动而有趣的阐释,从而成就了大足石刻的不朽价值和独特地位。In the long history, Dazu Stone Carving which is mainly composed of Song Dynasty statues lo- cated in a special space-time Location, and bear a unique spirit of an ever-changing age in the long course of history. It is a large collection of grottoes combining the features of Confucianism, Buddhism and Taoism. Meanwhile, it is an awe-inspiring monument in the world of grotto art. The Song Dynasty witnesses the merging the three mainstreams of traditional Chinese culture： Confucianism, Buddhism and Taoism. And the merg- ing runs through the historical process of the Carving＇ s formation and offers vivid interpretations by means of figuration, thus contributing to the everlasting artistic value and unique place of Dazu Stone Carving.

关 键 词：大足石刻艺术 三教融合 石窟造像 

分 类 号：J309.2[艺术—美术] K879.3[历史地理—考古学及博物馆学]