论孔子音乐思想的逻辑路径  

Logical Way of Confucius' Music Thoughts

作　　者：张季箐[1,2] 陈冬[1] 

机构地区：[1]西南大学文学院,重庆400715 [2]四川外语学院,重庆400031

出　　处：《艺术百家》2013年第2期204-207,216,共5页Hundred Schools In Arts

摘　　要：本文从政治与自由之间的精神悖论的角度,谈孔子音乐思想的逻辑路径。作为终极追求的"尽善"、"尽美",既是精神的自由,又是政治的理想:唯有在闻《韶》中实现出来。孔子由"知于乐"的现实之维,到"游于乐"的个人审美之维,再到"成于乐"的自由意志之维,构成一个首尾呼应、螺旋上升的逻辑进路。孔子音乐思想的三维逻辑路径,最终通向"尽善"、"尽美"的自由意志的彼岸世界,揭示了孔子政治哲学的形上理想。In this paper, we discuss the logic way of Confucius＇music thoughts from the perspective of the paradox be- tween politics and freedom. To be both virtuous and beautiful is the spiritual freedom and political ideal. And this could only be achieved in listening to the music of ＂ Shao＂. There are 3 aspects of Confucius＇music thoughts： the ac- tual dimension of knowing the world through music, the individual aesthetic dimension of amusing oneself with music, and the dimension of free will of achieving through music.

关 键 词：音乐艺术 孔子 音乐思想 逻辑路径 知于乐 游于乐 成于乐 艺术精神 文化 理想 

分 类 号：J60[艺术—音乐]