马克思存在论的出场——实践存在论美学论争的理论意义  

Appearance of Marx’s Practical Ontological Thoughts:The Theoretical Significance of Controversy over “Practical Existential Aesthetics”

作　　者：张瑜[1] 

机构地区：[1]浙江工商大学人文与传播学院,浙江杭州310008

出　　处：《广西师范大学学报（哲学社会科学版）》2013年第1期87-93,共7页Journal of Guangxi Normal University(Philosophy and Social Sciences Edition)

基　　金：杭州市哲学社会科学规划项目"马克思存在论与实践存在论美学论争"(B11WX06)

摘　　要：实践存在论美学论争是新世纪以来最重要的一场美学讨论。通过回顾这场论争的经过及对争论焦点问题如存在论概念、马克思存在论思想、实践范畴等的探讨,比较双方在理解马克思哲学思想上的差异,可以看出这场争论的最大的理论意义是使马克思的存在论思想在中国当代美学中出场了。The current controversy over ＂practical existential aesthetics＂ is one of the most important con- troversies of aesthetics since the beginning of 21st century. Through the retrospection of the course of the current controversy over ＂practical existential aesthetics＂ and the discussion on the key questions of the controversy, such as the concept of ontology, Marx＇s ontological thoughts, Marxist practical concept and a comparison between the difference of the Marx＇s philosophical views by two sides of the controversy, we conclude that the most theoretical meaning of the controversy is that the Marx＇ s practical ontological thoughts appear in China＇s contemporary study of aesthetics.

关 键 词：实践存在论美学 马克思存在论思想 实践范畴 存在论 

分 类 号：B83-06[哲学宗教—美学]