论《离骚》名物的表现特点  

The Features of the Specific Objects in Li Sao

作　　者：施仲贞[1] 

机构地区：[1]南通大学楚辞研究中心,江苏南通226019

出　　处：《苏州科技学院学报（社会科学版）》2013年第2期40-46,共7页Journal of University of Science and Technology of Suzhou:Social Science

基　　金：江苏省社会科学基金项目研究成果(12ZWD019);江苏高校哲学社会科学重点研究基地重大项目(2012JDXM021);2011年南通大学人文社科研究项目(11W03);南通大学博士科研启动基金项目(03080563)

摘　　要：《离骚》的名物,大致可分为自然名物和人工名物。屈原在结撰这些名物时,并不是呆板的、随意的罗列和堆砌,而是灵活的、精心的选择和编排,以便更好地表达情意、寄托情思,从而使这些名物具有多样性、地域性、神异性、对立性、实用性五大表现特点。The specific objects in Li Sao or The Songs of the South can be roughly divided into two classes, namely, natural objects and artificial objects. When mentioning their names, Qu Yuan （343-278 BC） was not rigid, random or mechanical. Instead, he selected them and arranged them flexibly and carefully in order to better express his affection and pin his emotions, so that these specific objects possess five characteristics, such as diversity, regionality, mystery, contradiction and practicability.

关 键 词：离骚 名物 表现特点 

分 类 号：I222.3[文学—中国文学]