词学批评“远”范畴的审美空间  

Research on aesthetic space of the category of "Distance" of Ci criticism

作　　者：郭守运[1] 张嘉斌[1] 

机构地区：[1]华南师范大学南海学院中文系,广东佛山528225

出　　处：《安徽理工大学学报（社会科学版）》2013年第1期76-79,共4页Journal of Anhui University of Science and Technology:Social Science

基　　金：2011年度教育部社会科学青年基金项目"远范畴的审美空间研究(11YJC751025)"资助

摘　　要："远"作为中国古典词学批评中重要的审美范畴之一,在审美空间上表现为三个维度,分别为空间之远、时间之远和哲思之远。中国古代词作中"远"范畴的审美内涵,超越时空的距离,由"眼中之远"升华为"意中之远",最终指向人的内在精神世界,是对艺术价值和生命真谛的超越性指引。As one of the important aesthetic categories of Chinese classical criticism of Ci （a Chinese poetic genre）, ＂distance＂ assumes three dimensions in the aesthetic space： spatial distance, temporal distance and philosophical distance. The aesthetic connotations of the category of ＂distance＂ in the ancient Chinese Ci works, by transcending the temporal and spatial distance, transform from the ＂physical distance＂ to ＂imaginary distance＂ and reaches the inner spiritual world of man, which is a transcendental guidance of artistic value and true meaning of life.

关 键 词：远 范畴 词学批评 审美空间 

分 类 号：B83[哲学宗教—美学]