论晚明“闲赏”生活美学意境的营构  

The Construction of “Leisurely-enjoying” Artistic Conception in the Late Ming Dynasty

作　　者：曾婷婷[1] 

机构地区：[1]广东技术师范学院,广东广州510665

出　　处：《南昌航空大学学报（社会科学版）》2013年第1期84-88,共5页Journal of Nanchang Hangkong University(Social Sciences)

摘　　要：晚明"闲赏"文化高度发达,文人们极为重视"闲赏"审美意境的营构,突出地表现在经由种种"长物"的存在,以及"物"与"我"的互动交感、"物"与"物"的相称相宜,开启出一种美学生活境界。其中他们要表达的,是一种刻意疏离、抗拒"世俗世界"的士人的生命情调,以此作为避祸全身、修身养性的生命据点。然而,在追求精神超尘绝俗的同时,他们又留连于世俗享乐中无法自拔。清逸高旷意境的营构是晚明文人的理想,也可以视作他们对自身的一种精神规约。In the late Ming dynasty, when ＂leisurely - enjoying＂ culture developed highly, literati paid more attention to the establish- ment of its aesthetic artistic conception, which was mainly manifested in creating a state of aesthetic life through the existence of all ex- ternal things, the interaction between object and human, and the suitability of objects. What the literati wanted to express was literati＇ s living mode that made them resist and alienate from the earthly world, as a life stronghold to avoid the disaster, cultivate the moral character and nourish the nature. However, when pursuing unearthly mind, the literati couldn＇ t free themselves out of all earthly pleasures. Establishing new and graceful, tall and spacious situation was literati＇ s ideal in the late Ming dynasty and can be regarded as their own spirit stipulations.

关 键 词：晚明 “闲赏” 生活美学 意境 

分 类 号：I01[文学—文学理论]