司马相如大赋艺术特质及其成因新探  

On The Factors That Influence the Artistic Characteristics of Sima Xiangru’s Da Fu

作　　者：黄琪[1] 

机构地区：[1]北京大学中文系,北京100871

出　　处：《重庆师范大学学报（哲学社会科学版）》2013年第2期53-60,共8页Journal of Chongqing Normal University Edition of Social Siences

摘　　要：司马相如的大赋较之枚乘《七发》,表现出重要的新特点。如铺陈方式上按空间方位和事类进行铺陈、辞藻的瑰怪和语汇的繁赡以及总体风格的诡奇之美。其铺陈方式的成因,与先秦时期《尚书.禹贡》、《周礼.职方》、《山海经》、《穆天子传》等地理类著作的影响相关。而辞藻和语汇方面特点的形成,首先与汉代普遍重视小学教育的风气以及巴蜀地区的小学传统有关,其次与汉大赋所要描绘的对象世界的特点相关,同时也与司马相如本人的刻意求奇倾向密不可分。至于司马相如大赋风格的诡奇之美,则是受到了巴蜀地域文化特色以及蜀人精神特质、审美取向的重大影响,同时也不可忽视大汉时代精神的影响。Sima Xiangru＇ s fu was characterized by many new important features, compared with Qi Fa, written by Mei Cheng. Sima Xiangru＇ s fu was organized according to apace and directions, which had a relation with cation in tic style. Ba - Shu geography documents in Pre - Qin. The flowery language was influenced not only by elementary eduHan dynasty and in Ba - Shu, but also the subjects＇ features and Sima Xiangru＇ s interests in fantasAnd the aesthetic mysterious style of Sima Xiangru＇ culture and the spirit of Han dynasty as well. s fu was affected greatly by the characteristics of

关 键 词：司马相如 大赋 艺术特质 

分 类 号：I206.2[文学—中国文学]