论中岛敦自我意识的归途——以《山月记》和《李陵》为中心  

A Study on the Homeward Journey of Nakajima Atsushi's Self-Awareness——Focusing on Sangetuki and Riryou

作　　者：于海鹏[1] 

机构地区：[1]浙江师范大学

出　　处：《日语学习与研究》2013年第2期105-111,共7页Journal of Japanese Language Study and Research

摘　　要：取典于中国的《山月记》和《李陵》是日本作家中岛敦的代表作品。其人物角色虽然都体现了强烈的自我意识,但是均在"绝对他者"的面前出现了不同程度的瓦解。然而通过比较分析,可以发现作者并不是以创作悲剧的态度来进行作品叙述的,从化身成虎的李征和与李陵成对比态势出现的司马迁及苏武身上,都可以使我们透过一层浓厚的悲凉窥视出一个充满希望的方向,即自我意识的再生和自我价值标准的重新确定,这也是中岛敦自我意识的归途。Sangetuki and Riryou, which are derived from China, are the masterpieces of Nakajima Atsushi, the Japanese writer. In both of these two works, intense self-awareness can be seen from the characters. However, both disintegrate while facing ＂the absolute other＂. Nevertheless, it can be found under comparative analysis that the author didn＇ t aim to create a tragedy. In the case of Li Zheng who finally became a tiger, or Si Maqian and Su Wu who appeared in contrast to Li Ling, we can see a bright prospect through a thick desolation. This is the revival of self-awareness, and at the same time, it suggests the homeward journey of Nakajima Atsushi＇ s self-awareness.

关 键 词：中岛敦 《山月记》 《李陵》 自我意识 

分 类 号：H36[语言文字—日语]