论晚明生活美学“癖”观念的成熟  

The Maturity of "Addiction" of Life Aesthetics in Late Ming Dynasty

作　　者：曾婷婷[1] 

机构地区：[1]广东技术师范学院文学院,广东广州510665

出　　处：《佛山科学技术学院学报（社会科学版）》2013年第2期78-83,共6页Journal of Foshan University(Social Science Edition)

摘　　要：在晚明闲赏生活文化高度发达的背景下,"癖"作为时代独特的审美观念也日趋成熟。"癖"一方面代表着文人审美感官力的进化,另一方面又体现了审美客体的形式化,审美经验与规律在晚明得到了较好的总结,"癖"观念的成熟是审美的进步。然而,"癖"也意味着文人在自我生活空间中的沉溺,而缺乏海纳百川的宏大情怀,由此,"癖"的极致发展必然走向病态与畸变。In the background of leisure culture highly developed in late Ming Dynasty, the ＂addiction＂, as the unique aesthetic perception, became mature gradually. On the one hand, ＂addiction＂ represented the evolution of literati＇s taste capability, on the other hand, it reflected the formalization of aesthetic object. Aesthetic experience and rule were preferably summarized in late Ming Dynasty. The maturity of ＂addiction＂ is progress of aesthetics. Nevertheless, ＂addiction＂ also implied that literati indulged in their living space, and they were short of great feelings as a result. Thus, the extreme development of ＂addic- tion＂ will inevitably move towards morbidity and distortion.

关 键 词：癖 感官力 形式化 畸变 

分 类 号：I01[文学—文学理论]