梦幻的抒写——论《画梦录》对象征诗学的借鉴与转化  

The Dream and Poetic Writing:On Learning and Transforming of Symbol Poetics by He Qifang’s Huamenglu

作　　者：王书博[1] 

机构地区：[1]西南大学中国新诗研究所,重庆400715

出　　处：《怀化学院学报》2013年第4期76-78,共3页Journal of Huaihua University

摘　　要：何其芳的散文诗集《画梦录》在借鉴西方象征主义的同时又实现了自我的转化与创新,在梦幻般的个人性抒写中,何其芳基本上实现了中西诗学的互融与共生,即在对西方象征诗学的"中国化"的同时又实现了对中国古典诗学的现代对接。He Qi - fang＇s essay poetry Huamenglu learns from the west symbolism and at the same time achieves the transformation and innovation of itself. On the dream and poetic writing, He Qi - fang basically achieves the integration of west and east poetry, which means He Qi -fang＇s works makes the west symbolism more Chinese and realizes the modern docking with the Chinese classical poetry.

关 键 词：何其芳 画梦录 象征诗学 梦幻抒写 借鉴 转化 

分 类 号：I207.25[文学—中国文学]