犍陀罗艺术及其东传龟兹考  

On Kandaharo Arts and Its Oriental Spread into Qiuci

作　　者：满盈盈[1] 

机构地区：[1]江南大学设计学院,无锡江苏214122

出　　处：《西北民族大学学报（哲学社会科学版）》2013年第3期178-181,188,共5页Journal of Northwest Minzu University(Philosophy and Social Sciences)

基　　金：江苏省社会科学基金青年项目"龟兹石窟艺术元素研究"(项目编号为12YSC018);江苏省教育厅高校哲学社会科学研究指导项目"龟兹石窟艺术与中外文化交流"(项目编号为2012SJD760045)

摘　　要：犍陀罗艺术开创了佛教图像化的时代,这种纪传体形式在叙事、说明方面的优势,使得它成为佛教向信众传播的重要途径,经由丝绸之路远播龟兹。从犍陀罗与龟兹之间的文字、佛经、军事及考古四方面来看,二者有着非同寻常的联系。追溯犍陀罗艺术的历史文化特质,探寻其传入龟兹的历史、路线及方式,还原它们的物质文化交流历史,对深入研究佛教艺术东传具有重要意义。Kandaharo arts opened an era of graphic Buddhism, this biographic style has its own advantages in the tspects of narration and illustration, and made it a key way of spreading Buddhism, and expanded into Qiuci via Silk Road. In terms of writing, Buddhist scripture, military issues and archeology, Kandaharo and Qiuci shared anusual ties. It is of great significance for the further study of oriental spread of Buddhist arts to date back to historical cultural features of kandaharo, probe into the history, routes and methods of its spread into Qiuci, and restore the .history of their material and cultural communication.

关 键 词：犍陀罗 龟兹 佛教东传 

分 类 号：J1[艺术—艺术理论]