论《文心雕龙》与写作过程中的文体感  

Cultivating the Sense of Style in the Process of Writing Based on Wen Xin Diao Long

作　　者：赵红梅[1] 

机构地区：[1]青岛大学文学院,山东青岛266071

出　　处：《东方论坛（青岛大学学报）》2013年第2期69-75,共7页Eastern Forum（JOURNAL OF QINGDAO UNIVERSITY）

基　　金：山东省艺术科学重点课题"文心雕龙与基础写作"(2011037)的阶段性成果

摘　　要：《文心雕龙》之"文体"理论是需要综合全书加以审视的,并不仅仅局限于"论文叙笔",应引起足够重视的是其贯穿于创作活动始终的文之整体观,这一动态的"文体感"把握对当今之写作教学提供了有益借鉴。结合《文心雕龙》的相关篇目分析,现代写作教学过程中的"文体感"应注意从以下四个方面来培养:文体之规范归属感、文体之选择、文体之定与变、文体之整体自圆。A comprehensive examination should be made of the stylistics of the whole of Wen Xin Diao Long （ The Literary Mind and the Carving of the Dragon ） instead of the part of ＂Lun Wen Xu Bi＂ only. We should attach importance to the holistic view of writing all through the creative activity. This dynamic ＂sense of style＂ has provided beneficial reference for today＇s writing teaching. Combined with the related contents of ＂Wen Xin Diao Long＂, the sense of style should be cultivated from four aspects： the sense of stylistic norms, style selection, fixedness and variation of style, and style wholeness.

关 键 词：文体 文体感 文心雕龙 写作 

分 类 号：I207[文学—中国文学]