《文通》与明代文体学  

Wentong and the Literary Stylistics in Ming Dynasty

作　　者：何诗海[1] 

机构地区：[1]中山大学中文系,广东广州510275

出　　处：《苏州大学学报（哲学社会科学版）》2013年第3期139-144,192,共6页Journal of Soochow University(Philosophy & Social Science Edition)

基　　金：国家社科基金项目"古书凡例与文学批评--以明清集部著作为考察中心"(项目编号:12BZW044);教育部人文社会科学研究项目"明清文集凡例与文学批评研究"(项目编号:12YJA751020);广东省社科项目"辨体批评在明代的发展"(项目编号:GD11CZW06)的部分研究成果

摘　　要：《文通》充分体现了明代文体学集大成与新开拓并举的特色。此书文体分类之细密,已达到前所未有的水平;文体论上也多有创新,主要表现在对前人没有立目的文体,一一考察其体性特征、源流演变等,对前人已立目论析的文体,在继承传统观点的基础上,特别关注其在当代的发展和变化。此外,经义在《文通》的文体谱系中得以立目,使这一重要但充满争议的文体,首次在文体论专著中获得了独立的文体地位,也特别值得表彰。Wentong was not only a stylistic work with many original ideas but also the culmination of the literary stylistics in Ming Dynasty.The accurate and comprehensive explication of stylistic classification in this book was unprecedented.The author of the book explored some new literary forms with deep analyses of stylistic features,origins and developments,and paid a great attention to the contemporariness of many old literary forms.In addition,as an controversial genre for passing imperial examinations,Jingyi gained independent status for the first time in the history of ancient Chinese stylistics,which deserved great commendation.

关 键 词：《文通》 明代 文体分类 文体论 经义 

分 类 号：I206.2[文学—中国文学]