体验·隐喻·历史——福柯“关系本体论”文艺思想研究  

Experience,Metaphor and History:A Probe into Foucault's Relationship Ontology

作　　者：陈长利[1] 

机构地区：[1]中国矿业大学文学与法政学院,江苏徐州221116

出　　处：《吉首大学学报（社会科学版）》2013年第3期86-94,共9页Journal of Jishou University(Social Sciences)

基　　金：江苏省社会科学基金项目(11WWC008);中央高校基本科研业务费专项资金资助项目(JGG101499);湖南省教育厅科学研究项目(12C0310)

摘　　要：福柯文艺思想的根本方面是"关系本体论"。福柯在"文学时期"就思考并提出"文学本体论"的问题,其文艺本体论性质是"关系本体论",基本方面由"体验"、"隐喻"、"历史"三个维度构成:"体验"是存在与他者的关系维度,体现出理性与非理性对话交流的开放思维;"隐喻"是形式与意义的关系维度,体现为语言内部与外部关系的新型构造;"历史"是结构与变化的关系维度,话语分析成为有效的批评方式。福柯的"关系本体论"文艺思想,对后现代主义文论具有反思与认识价值,对当代文艺理论学科建设具有启示意义。Further researches on Foucault＇s thoughts particularly on the Relationship Ontology shall he carried out. Relationship Ontology is the core of Foucault＇s Literature Ontology,which consists of three dimensions of experience, metaphor and history. Experience focuses on the relation between existence and the other,embodying the dialogue between rationality and irrationality;metaphor focuses on the form and meaning, restructuring the internal and external relations of language ; and history is the relation between structure and change, in which discourse analysis is an effective way. Relationship Ontology is of great significance for the reflections and recognition on the postmodern literary theory,and enlightenment for the development of modern literary discipline.

关 键 词：福柯 文艺思想 关系本体论 体验 隐喻 历史 

分 类 号：I0[文学—文学理论]