明治文学中典型的“多余人”——论夏目漱石笔下代助的时代性特质  

The Typical "Superfluous Man" in Meiji Literature: On Daisuke's Era-mirroring Temperament in Natume Souseki's Novel

作　　者：陈雪[1] 

机构地区：[1]安徽大学外语学院,安徽合肥230601

出　　处：《安庆师范学院学报（社会科学版）》2013年第3期57-61,共5页Journal of Anqing Teachers College(Social Science Edition)

基　　金：安徽省高校省级优秀青年人才基金重点项目(2012SQRW015ZD);安徽大学博士科研启动经费资助项目(33190238)

摘　　要：夏目漱石笔下的代助是明治文学中典型的"多余人"。漱石运用梦叙事的手法,暗喻的修辞以及对"无意识"身体感觉的描述表现了代助的精神内涵。代助回避现实,其"自我"难以在现实中确立,带有浓厚的非现实性特质。游离于新旧文化之间的代助产生人格的"自我"分裂,具有忧郁型心理。其焦虑心理的产生源于依附封建意识的"妥协性"。这种气质与明治时期近代化改革不彻底的状况密切相关,也是漱石自身对于"自我"认同局限性的折射。Daisuke in Natume Souseki＇ s novel is a typical epitome of ＂the superfluous man＂ in Meiji literature. Scuseki, by combining the dream narrative, the rhetoric of metaphor, and the description of the physical sensations of ＂the unconscious＂, fully delineates Daisuke＇ s spiritual dimensions and connotations. Daisuke evades reality and is hard to establish his ＂serf＂ identity in reality, which gives his personality an unrealistic color. Drifting between the old and new cultures, Daisuke suffers from a ＂split self＂ and psychological depression. The anxiety is generated from the ＂compromise＂ idea attached to the feudal ideology. The temperament is closely related to the unthomnghness of modemizatiou reformation in Meiji times, and also reflects Scuseki＇ s limitatious on his intepretatlou of ＂serf-identity＂.

关 键 词：夏目漱石 多余人 明治文学 “妥协性” “自我” 

分 类 号：I313.074[文学—其他各国文学]