郝敬“诗主声”观念的提出及其理论意义  

The Proposal of HaoJing's Concept That Poetry Give Priority to Sound and Its Theoretical Significance

作　　者：李国新[1,2] 

机构地区：[1]云南大学人文学院,云南昆明650091 [2]西南林业大学人文学院,云南昆明650224

出　　处：《云南农业大学学报（社会科学版）》2013年第3期117-122,共6页Journal of Yunnan Agricultural University(Social Science)

基　　金：教育部人文社会科学项目"明代诗声理论研究"阶段成果

摘　　要：在前代诗乐关系、诗声关系研究的基础上,在明代诗学整体重声的背景下,郝敬提出了"诗主声"。其"声"有别于近体诗的声律辞采,是一种本质论意义上的诗学观点。它要求诗的声符合儒家温柔敦厚、平和中正的诗教观,与"音本色论"是互为表里的。"诗主声"实质上是区别于"诗言志"、"诗缘情"两种传统本质论的新本质论,但它与"诗言志"有较大联系,也有一定区别。"诗主声"的提出,一方面推动了晚明反宋经学思潮的发展,另一方面批判了朱熹解诗的主要观点和以朱熹为代表的空疏思想,具有重要的文论价值和时代特色。Basing on the former research of the relationship between poem and music, poem and sound, at the same time on the background of Ming dynasty paying attention to sound overall, HaoJing urged the concept that poetry give priority to sound. This ＂sound＂ is different from the rhythm and gorgeous rhetoric in modern style poetry, being a kind of poetic view of essentialism. It requires that poetry＇s sound is in line with concept of Confucian poem teaching of soft and gentle, mild and positive, it is in a reciprocal relationship with sound-centeredness. In nature, being a kind of essentialism, the concept differs from two traditional essentialisms of poetry, namely poetry expressing aspiration and po- etry deriving from affection, but it has connection as well as difference with the former. The value of the viewpoint lies in promoting the development of ideological trend of anti-song classics and criticizing the main points of Zhu Xi＇s interpretation of poetry and the empty and shallow＇s ideas of Zhu Xi as a representative, so it has a important theoretical value and it is with the characteristics of age.

关 键 词：诗主声 音本位 诗歌本质论 反宋经学 

分 类 号：I0[文学—文学理论]