“格式塔”下的“脚步”——何其芳诗歌《脚步》的艺术探析  

The Footstep under the Gestalt:Analysis of He Qifang’s Poem "Footstep"

作　　者：王书博[1] 

机构地区：[1]西南大学中国新诗研究所,重庆北碚400715

出　　处：《绵阳师范学院学报》2013年第6期28-31,共4页Journal of Mianyang Teachers＇ College

摘　　要：作为中国现代诗歌史上最杰出的诗人之一,何其芳的诗歌特别是早期诗集《预言》因其具有鲜明的个人精神特征与超拔的艺术体验而备受读者与批评家的关注和盛赞。何其芳的诗文大都采用了"独语"的调式,在梦幻般的诗意中抒写"迷茫"、"孤独"与"忧郁"的心灵世界。诗人早期的诗歌文本及其体现出的独特的精神特质也恰恰符合格式塔心理学美学所展示给读者的"力"的内涵与交互阐释的魅力,而《预言》中的《脚步》一诗正是这样的优秀之作。As one of the most famous poets in the modem Chinese literature, He Qifang attracted a lot of attention and praise from readers and critics for his poems, especially his early anthology Prophecy, which takes on the outstanding personal spiritual characteristic and artistic experience. He Qifang mostly uses the murmuring discourse in his poems in order to show his confusion, loneliness and melancholy. His early poems and the special spiritual characteristic which comes from his texts accord with the connotation of the force and the fascination of the interactive exposition that the gestalt psychological aesthetics has shown for readers, and the poem ＂Footstep＂ in Prophecy is just a good example.

关 键 词：何其芳 脚步 格式塔 异质同构 封闭性 整体性 

分 类 号：I207.25[文学—中国文学]