文章的“可视性”及其美学渊源——以《文心雕龙》“视之则锦绘”为中心  

The Visuality of an Article and Its Aesthetic Origin——Centering on "Looking Like Brocade" in Wen Xin Diao Long

作　　者：张坤[1] 

机构地区：[1]云南民族大学人文学院,云南昆明650500

出　　处：《太原理工大学学报（社会科学版）》2013年第3期65-68,共4页Journal of Taiyuan University of Technology(Social Science Edition)

基　　金：云南省哲学社会科学规划项目(QN201251);云南省教育厅科学研究基金重点项目(2012Z030)阶段性成果;云南民族大学青年基金科研项目;云南民族大学引进人才科研项目

摘　　要：文章的"可视性"是指文章所写内容如锦绣、绘画、器物雕饰一般具有视觉呈现的功能和效果。刘勰关于文章"可视性"的论述与他感观形式审美批评的理论风格密切相关,亦受当时的"形似"文风影响;从根本上讲,扬雄的心声心画论及中华美学"目观为美"的观念是刘勰文章"可视性"思想的美学渊源。The visuality of an article is that its content has visual function and effect like brocade, painting,and carving. Liu Xie＇s elaboration about the visuality of an article is closely related to his theoretical style of aesthetic criticism of sensory form and is also influenced by contemporary writing style of formal resemblance. Fundamentally, Yang Xiong＇s theory of voice from heart and painting from heart and the concept of beauty from seeing are the aesthetic origin of Liu Xie＇s thought about the visuality of an article.

关 键 词：文心雕龙 文章 可视性 感观形式审美批评 美学渊源 

分 类 号：I01[文学—文学理论]