阴阳五行与中国古代诗学  

Yinyang-Wuxing and the Ancient Chinese Poetry

作　　者：袁济喜 

机构地区：[1]南开大学文学院

出　　处：《中国人民大学学报》2013年第4期1-9,共9页Journal of Renmin University of China

基　　金：国家社会科学基金项目“宋元诗学与书画艺术相融合的现象学研究”(10BZW045)

摘　　要：阴阳五行是中国人的思想律，它贯穿儒家的经学与理学，呈现出由宇宙论到本体论、由天道观到心性说的发展过程。儒家阴阳五行学说对中国古代诗学的影响，不仅反映在诗歌声律论和文学创作论方面，更是一种“外师造化、中得心源”的诗性智慧，使诗人由体验天地生生之德的道德境界，进到全身心融入自然山水的“天人合一”境界。As a Chinese methodology throughout the study of Confucian classics and Neo-Confucianism, Yinyang-Wuxing presents an evolution process from cosmology to ontology, and from ＂the Way of Heaven＂ to the ＂Mind-nature＂ theory. The influence of Confucian Yinyang-Wuxing on ancient Chinese poetry not only lies in its impact on the theories of rhyme and literary creation, but also is reflected in the kind of poetic wisdom which leads the poets into the moral realm of experiencing Moral of Genera- tion, incorporated into the unity of man and nature.

关 键 词：阴阳五行 天地之心 声律 物感 诗学 

分 类 号：B221[哲学宗教—中国哲学]