元代文人画的“不求形似”与“墨戏之作”辨义  

The Yuan Dynasty Literati Painting "not for Formal Similarity" and "just Ink Play"

作　　者：邓益民[1] 

机构地区：[1]西北大学艺术学院,陕西西安710069

出　　处：《西北大学学报（哲学社会科学版）》2013年第4期156-158,共3页Journal of Northwest University：Philosophy and Social Sciences Edition

基　　金：陕西省社会科学基金资助项目(12J114)

摘　　要：元代文人画的"不求形似"之说并非放松对"形似"的追求,更非认为绘画表现事物可以任意勾画,而是对"以形写神""形神兼备"的另一角度强调,是为了追求画中的形象和笔墨呈现更能写人之真心、传自然之真性的"绝似"。其探索与开拓,本质上依旧遵循着中国画的艺术发展规律。后人的片面理解,根源在于理解的角度。The saying that the paintings of those men of letters in the Yuan Dynasty focused not on formal similarity, does not mean they pay less attention to formal similarity, nor that one can present things in their paintings freely. It was a stress of ＂using the form to present spirit＂ and with consideration of ＂both the form and spirit＂ from another angle. Their purpose is to show the true heart of human beings as well as the ＂absolute likeness in nature through the images and ink strokes in the painting. Their exploration and pioneering spirit still follow the developing pat- terns of Chinese arts. The bias of those later critics towards their paintings rooted in their different understanding angles.

关 键 词：元代文人画 不求形似 以形写神 

分 类 号：K879.4[历史地理—考古学及博物馆学]