论“外模仿”和“内模仿”的嬗变与影响  

On the Evolution and Influence of “External Imitation” and “Internal Imitation”

作　　者：曹桂生[1] 曹阳[1] 

机构地区：[1]陕西师范大学美术学院,陕西西安710062

出　　处：《陕西师范大学学报（哲学社会科学版）》2013年第4期57-63,共7页Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition)

摘　　要：从古希腊、古罗马到中世纪,西方一直盛行着"模仿说",它是古希腊哲学关于艺术的起源与本质的理论。从柏拉图到亚里士多德,"模仿说"日趋完善。苏格拉底、柏拉图的思想是一种对"理念"世界的模仿,可以称作"内模仿";而亚里士多德等人的思想则主张对客观世界的模仿,可以称作"外模仿"。此后的哲学思潮以及美学思潮都是沿着这两条主线延伸和发展的。Between ancient Greece and Rome and Middle Ages, the ＂theory of imitation＂, a theory about the origin and nature of art in Greek philosophy, was always popular in the west. This theory became perfect continu- ously from Plato to Aristotle. Generally, Socrates and Plato advocated an imitation of ideal world, which can be re- garded as ＂internal imitation＂, while Aristotle and his like emphasized an imitation of objective world, which can be regarded as ＂external imitation＂. Afterwards, it was along these two lines that philosophic and aesthetic trends extended and developed.

关 键 词：“模仿说” 柏拉图 亚里士多德 “外模仿” “内模仿” 

分 类 号：B502.23[哲学宗教—外国哲学] J0-02[艺术—艺术理论]