真实的幻象——略论中国普罗小说中的白俄叙事  

The Real Illusion——On Belorussian Narrative in the Chinese Proletarian Novels

作　　者：杨慧[1] 

机构地区：[1]厦门大学中文系,福建厦门361005

出　　处：《四川大学学报（哲学社会科学版）》2013年第4期122-129,共8页Journal of Sichuan University：Philosophy and Social Science Edition

基　　金：教育部人文社科青年基金项目"中国现代文学中的白俄叙事研究(1928-1937)"(12YJC751098)

摘　　要：1920年代末1930年代初,在钱杏邨、殷夫、冯乃超、莞尔等中国现代普罗作家笔下不约而同地出现了白俄叙事。受到民族、语言、文化、政治等方面的隔阂与限制,这些白俄叙事难以深入白俄的日常生活与内心世界,因而其所塑造的并非真实的白俄,而是白俄的幻象。然而,这些白俄幻象展现了普罗作家文学想象与自我想象的方式,而且充满了作家与无法根除的小说"杂语"的博弈。就此而言,这些白俄幻象又是真实的,映射出普罗作家建构革命性自我的艰苦努力。白俄叙事颠覆了普罗作家"左倾僵化"的刻板印象,还给他们文学乃至革命丰富而生动的表情。During the late 1920s and the early 1930s,the Belorussian narrative happened to appear in many texts written by such proletarian authors as Jiang Guangci,Xu Renfu,Qian Xingtun,and Feng Naichao.With limited understanding of Belorussian culture,language and politics,these Belorussian narrative did not penetrate into the daily life and inner world of Belorussian people.They just provided an illusion of Belorussia instead of producing a real portrayal of it.However,these images of Belorussia have presented the pattern of proletarian writers＇ self-imagination,unfolding how the proletarian writers struggle with the heteroglossia ingrained in the texts.In this sense,the images of Belorussia were real,like a mirror reflecting how the proletarian writers made an effort to construct the revolutionary self,which overturned the left rigid stereotype of proletarian authors by reconstructing a colorful and vivid image of their literature and revolution.This is exactly the unique historical value of Belorussian narrative.

关 键 词：普罗小说 白俄叙事 杂语 幻象 真实 

分 类 号：I207.42[文学—中国文学]