唐代闺怨诗之“代言”的丰富开放性空间  

Richly Open Development Space of Tang Dynasty's Feminine Querimony Poetry

作　　者：陈叶[1] 

机构地区：[1]陕西理工学院文学院,陕西汉中723001

出　　处：《包头职业技术学院学报》2013年第3期28-30,共3页Journal of Baotou Vocational & Technical College

摘　　要：唐代的"闺怨诗"以"男子作闺音"的代言体与"以悲为美"的感情基调而闻名。男子借诗言志,"代言"就是言志的一种表现方式。"代言"以闺妇的情感遭遇隐寓自己的政治遭遇,带有委婉的功利性目的,但闺怨诗本身也直接带给我们精神的愉悦。男子"代言"的"双性人格"所形成的一种特质成就了闺怨诗其幽微要眇的丰富之潜能。闺怨诗"代言体"的传播、发展与探究,为我们古代文学的学习提供了丰富的开放性的发展空间。In Tang Dynasty, feminine querimony poetry is famous for first -person narrator which depicts ＂women＇ s words written by men＂ and the emotional tone of ＂taking sadness as beauty＂. Men make use of poetry to express their will. The first - person narration for women is one method of expressing people＇ s will. Such a pattern implies men＇ s political experi- ence in the process of describing women＇ s emotional experience,which both follows the euphemistically utilitarian purpose and bring about readers＇ spiritual delight. The special feature shaped by men＇ s double - sexual personality contributes to the potential delicacy and richness of feminine querimony poetry. The transmission, development and exploration of feminine querimony poetry written by men provide us a richly open development space in the duration of studying Chinese ancient literature.

关 键 词：闺怨诗 代言 诗言志 审美 蕴藉 

分 类 号：I207.22[文学—中国文学]