宗白华的艺术批评思想、方法及实践  

Zong Baihua's Art Criticism Ideas,Methods and Its Practice

作　　者：张泽鸿[1] 

机构地区：[1]湖北文理学院美术学院,湖北襄阳441053

出　　处：《湖北文理学院学报》2013年第9期61-67,共7页Journal of Hubei University of Arts and Science

基　　金：国家社科基金后期资助项目(12FYS012)

摘　　要：宗白华在中国古典艺术批评理论的启发下,将生命本体的美学观念运用于现代艺术的解读,建立了"生机主义"的现代批评理论话语模式,开辟了生命意象批评与境界体验批评的方法,并具体展现在对中国现代诗画及西方现代艺术的批评实践中。宗白华以其批评思想、批评实践以及批评史研究这三个维度建构了现代"艺术批评学"。宗白华的艺术批评学在一定程度上有效规避了中国现代艺术批评"唯西方是从"的方法论缺陷,并对当代中国艺术批评学和批评史产生了深远的影响。Inspired by the critical theory of Chinese classical art, Zong Baihua applies aesthetic conception of life ontology to the understanding of modem art. He establishes the model for life - centered critical theory and opens up two critical methods： life image criticism and realm experience criticism. Criticism ideas, criticism practice and research of criticism history composes Zong Baihua＇ s modern art criticism, which avoids effectively methodological flaws of ＂pandering to the western model＂ to some extent. It has profound impact on Chinese contemporary history of art criticism.

关 键 词：宗白华 生机主义 艺术批评思想 批评方法 艺术批评史 

分 类 号：J01[艺术—艺术理论]