香港“光复”时期的左派期刊电影批评开拓——论《电影论坛》的电影批评  

On the Pioneering Film Criticism of Hong Kong Leftist Journals After World War Ⅱ——On the Film Criticism of Film Tribune

作　　者：吴迎君[1] 

机构地区：[1]广西大学文学院,广西南宁530004

出　　处：《广西师范学院学报（哲学社会科学版）》2013年第4期136-145,共10页Journal of Guangxi Teachers Education University：Philosophy and Social Sciences Edition

基　　金：教育部人文社科青年项目"电影美学的本土建构"(11YJC760087)

摘　　要：《电影论坛》是香港"光复"时期重新起步的电影批评的最重要期刊阵地,建构出囊括亚洲、欧洲、美洲、大洋洲、非洲诸多国家的批评视野,并在南来文人"中原心态"和国族意识的观念下,着重对于中国、美国、苏联三国电影问题展开一系列批评,其中呈现出四种电影批评观念,并在杂语共陈与此消彼长中显露总体上的渐进式偏左路线,由此迈出"光复"时期香港左派期刊影评的第一步。Film Tribune, Hong Kong＇s most important journal of leftist film criticism, published right after World War Ⅱ, has constructed a critic vision of Asia, Europe, the Americas, Oceania, and Africa. Besides, under the central plain preference and national consciousness of literati from main-land, this journal focuses on commenting film of China, the United States, and the Soviet Union, showing the concept of four kinds of film criticism. Influenced by diversified theories and their own conflicts, it presents a favor of progressive leftist route as a whole, taking the first step of film criti-cism by leftist journal of Hong Kong.

关 键 词：电影论坛 香港 左派 电影批评 

分 类 号：J905[艺术—电影电视艺术]