谶言与诗学  

Augury and Poetics

作　　者：邬国平[1] 

机构地区：[1]复旦大学中国语言文学研究所,上海200433

出　　处：《江苏师范大学学报（哲学社会科学版）》2013年第6期21-29,共9页Journal of Jiangsu Normal University：Philosophy and Social Sciences Edition

基　　金：教育部人文社会科学重点研究基地重大项目"中国文学批评自由释义传统研究"课题(项目批准号:07JJD751077)前期成果之一

摘　　要：谶言被认为是对未来的预见和宣告,其实它更多的是属于后人对过去文本所作的解释。这类作品开始并没有预示将来一定会发生什么事件,只不过后来发生的某种事件恰好可以与作品的内容互相对应,于是就被反推它们是有预兆性质的谶言。这种谶言思维使相当一部分诗歌变成了"诗谶",而谶言思维又更加广泛地影响到文学创作和文学批评。诗言志、诗歌可以感天动地、亡国之音哀以思诸说,其中皆有谶言说的影子。谶言说充满丰富的想象,这为文学创作带来自由。同时,谶言说借附会以彰显天戒,教训人事,使人们产生畏惧之心,从而让作者感到有语言规避的必要,由此造成诗歌创作中的拘忌现象,这又在一定程度上束缚了创作自由。Augury is regarded as the prediction of the future, but in fact it is more about the explanation of the past text by the later people. This kind of literary products at first did not predict something would happen in the future, and it was apparent that something occurred later was equivalent to the content described in the literary product, therefore, it was explained as augury. The thought of augury made many poems become poetic augury, and the thought of augury widely influenced the literary creation and literary criticism, The augury thinking was full of imagination and brought freedom to the literary creation. At the same time, the augury thinking made people have terrible mind so that it limited the freedom in creation.

关 键 词：谶言 诗谶 诗学 神秘性解释 文学想象 创作拘谨 

分 类 号：I207.22[文学—中国文学]